James Billiter Studio Blog

Posts tagged Monoprints
Failed Covington Riverfront Monoprint

A composite image created in Photoshop from the best prints from the evening spent in the studio.

I really loved my “View from Devou” monoprint series from 2023. For that series I spend over a month aiming to create my best work.

Unfortunately recently my experiment combining watercolor monoprint painting under a black layer failed, mainly due to lack of time and luck.

I mis-pulled the first print, missing a section in the middle. I wish I just re-pulled at least getting 1 good print.

Perhaps I will get this on press again in the future.

If you’re interested in one of the black-and-white prints I ahev posted them here:
https://www.billiterstudio.com/shop/covington-riverfront-at-dusk-print

Watercolor underlayer on drying rack. On the left is print 1 of 3; perhaps you can see where I missed the middle while pulling the squeegee.

View from Devou: Serigraph Monoprint 1

In June of 2022 I started a drawing inspired by one of my favorite views — after hikes and bike rides I love to see the Cincinnati skyline from Devou Park’s overlook.

In June of 2023, I finally got to burn the screens and after another month passing I was able to finally get a block of time in the studio to paint. I expanded my color palette of Procion Dyes I use as a watercolor medium – taking time to re-mix and experiment with test prints (below).

What I love about these watercolor monoprints is the ability to be both loose and free with watercolor but also having the control of painting within a stencil on the screen.

Planning a few more variations while I have this image in the screens. More to come!

Artist versus Designer, chess-boxin Shaolin style!
Chris Breeden from Arnold's Bar & Grill reached out last summer and invited me to be part of a Wu Tang Clan themed art show at Frameshop.

For the past year I have been very intrigued with portraiture. I've always felt that I have not truly learned how to draw the human form well, and the artist side of my head feels that landscape art and portraiture are these classic subject matters that I should explore in my work to gain commissions someday.



My first focus was Method Man and I began approaching the project with the perspective of a Graphic Designer. I wanted to incorporate borders, and type, and be inspired by traditional printmaking techniques to add small graphic details. As I got into the project, I visited the Cincinnati Art Museum's "Van Gogh: Into the Undergrowth" and it inspired my original thought of the details and turned the Wu Tang logo into a halftone pattern. The sky behind Method Man glitters with dots inspired by Pisarro and Van Gogh's Starry Night.

I took the W from the Wu Tang Clan logo and used it to facet Method Man's face. This was inspired by a bit of Art Deco, and perhaps some of the African sculptures I used to collect where the human form is broken down into geometric simplicity.

My major critique is in my abstraction I lost a lot of Method Man's actual likeness in the work.


At some point, things were looking really bad with the progress of Method Man. So in only a few hours I was able to illustrate a portrait of Rza by hand. Using ProCreate on the iPad I was able to draw Rza from composite photos, and create a background pattern inspired by Japanese prints (referring back to Shaolin culture and Kung Fu movies that inspired the Wu Tang Clan).

I created a black and white portrait of Rza, and isolate the background pattern in gold. In some ways this approach was partially inspired by the work of Kehinde Wiley as well as those 19th century Japanese print makers. 

Once in the studio, I painted the skin tones of Rza with watercolor inks on the screen, and created a small series of 3 monoprints. You can see the process of making the prints here: Path to process video on Vimeo

This was an experiment to see how I could capture the human form in a unique way, but also possibly how to create work for commission some day. The Method Man is more unique, but took an entire week of time to produce. Rza is more gestural and actually captures the likliness better, and only took two days to create. The price would estimatedly be $1600 versus $4000 for a patron in the future.

At the end, it felt wrong to take money as an artist using the image of another person I don't know personally without permission. So, it felt best to donate 100% of my profits to Elementz, a Cincinnati-based non-profit created to foster Hip Hop Culture for future generations.

New Solo Show at frameshop in OTR



Walls of Cincinnati: New Works in Watercolor Monoprints and Serigraphs by Billiter Studio
CINCINNATI, OH - 

"Walls of Cincinnati," a show of new monoprints and serigraphs by Billiter Studio, 
opens May 27th from 6-10pm at frameshop, 1317 Main Street.

On Final Friday the walls of frameshop will be adorned with the beautiful façades of our Queen City. “The Walls of Cincinnati: Monoprints and Serigraphs” by James Billiter Studio features articulate, illustrated renderings of Cincinnati’s landmarks. These landmark art prints are a combination of monoprint originals featuring watercolor dyes as well as affordable handprinted, limited-edition screen prints. Frameshop will be complimenting these elaborate art prints with exquisite and unique framing using a variety of heritage materials. Aside from the framed originals, a variety of frame-ready screenprints will be available, ranging in prices from $10 to $50.


For more information visit the event page https://www.facebook.com/events/279904965679057/